| Author |
Article |
Pages |
| Elizabeth Deans |
Rethinking drawing and office practices in early-eighteenth century England: A study of William Dickinson’s pocketbook |
1–22 |
| Charlotte Bassett |
The floor plan of Hopetoun House, 1699–1721: Functional design and the post-restoration Scottish country house |
23–40 |
| Melanie Hayes |
An Irish Palladian in England: the case of Sir Edward Lovett Pearce |
41–66 |
| Robert Shepherd |
Shell or finished house? The marketing of speculative houses in early eighteenth-century London |
67–82 |
| Jacob Simon |
Displaying the Kit-Cats: the fate of the Kit-Cat Club portraits |
83–98 |
| Maxwell Craven |
The ‘Mausoleum’ of John Lombe at Derby |
99–108 |
| Max Bryant |
Ancient art and modern politics: the sculpture installation of 1768 at Shelburne House, Berkeley Square |
109–116 |
| Hannah Kašpar |
A tedious business’: Robert Adam and Joseph Rose, plasterwork and pay disputes |
117–134 |
| Sydney Ayers |
John Clerk of Eldin’s ‘Narrative of life and work of Robert Adam, the architect’ |
135–152 |
| Christopher Webster |
Sir Christopher Wren’s Late-Georgian Reputation: artistic hero and professional luminary |
153–170 |
| David M. Boswell |
Grecian Doric returns to the Central Mediterranean: the achievement of Colonel George Whitmore and the Royal Engineers |
171–197 |
| Stephen Withnell |
‘Happy combination of judgment and good taste’: St. Winefride’s Church in Holywell, Wales |
198–214 |
