Across the visual arts in France and Britain in the 1820s and 1830s a dynamic culture of fashion was taking shape. Wide-ranging in taste and driven by a quest for the new, fashion flourished in the period’s expansive print production, while the fine arts negotiated demands for novelty more paradoxically, partly by reviving styles from the past. Following the publication of her new book, Susan L. Siegfried will argue that the intersections between fashion, costume, and art in these pivotal decades embody the fractured conditions of early nineteenth-century modernity.

The talk starts at 6.30pm.

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