| Author |
Article |
Pages |
| William Aslet |
“Il Ritorno di ‘Signor Gibbi” in Patria: James Gibbs’s training in Italy and its bearing on his later Career |
1–12 |
| Alex Echlin |
The Individuality of James Gibbs: Gibbs and the Historiography of Eighteenth-Century English Architecture |
13–26 |
| Christine Casey |
Ornament and craftsmanship in the architecture of James Gibbs |
27–42 |
| Peter Guillery |
James Gibbs and the Cavendish–Harley estate in Marylebone |
43–56 |
| Geoffrey Tyack |
Gibbs and the Universities |
57–78 |
| Nick Mols |
Theory and Practice: James Gibbs’s Rules for Drawing, and the Radcliffe Camera |
79–90 |
| Ann-Marie Akehurst |
St Bartholomew’s Hospital and Gibbs’s role in hospital pavilion planning |
91–112 |
| Maxwell Craven |
James Gibbs’s Derby Connection |
113–124 |
| Alec Cobbe |
Gibbs in Ireland |
125–146 |
| Michael Bevington |
Inventor and mentor: James Gibbs and his garden buildings at Stowe |
147–170 |
| Pete Smith |
James Gibbs at Kiveton Park in Yorkshire |
171–190 |
| Charles Hind |
Transatlantic Influence: A Book of Architecture and the American colonies |
191–204 |
| Aaron M. Helfand |
Inspired by Gibbs: Reconstructing Peter Harrison’s lost designs for the steeple of King’s Chapel at Boston, Massachusetts |
205–218 |
| Hugh Petter |
James Gibbs and the enduring legacy of popular classical architecture |
219–230 |
| Gordon Balderston |
James Gibbs’s will |
231–240 |
